#DREN MOVIE MOVIE#
Ok also as for a movie I absolutely despise: splice. I just watched Splice for the first time ever: why the fuck didn’t anyone stop me, I feel n a s t y I just watched splice and I feel like I’ve just witnessed a cough syrup dream in real life I legit don’t know if I find this movie brilliant, disgusting, one of a kind or whatever the fuck. biblically accurate VR-GF April 3, 2023 Just watched splice for the first time, wow what a disgusting ass movie. So I just watched splice and, uh, what the fuck? /pdeWGrB2J8 Here are some of the responses from Netflix viewers that recently visited the horror film: And, after a disturbing turn of events, it’s easy to see why viewers are shocked. Naturally, however, things don’t go as planned with Dren. Their research leads them to create a human-animal hybrid they later name Dren. The movie revolves around a pair of genetic engineers that want to splice animal genes for medical use. If you haven’t guessed it yet – the film is Splice. It starred Adrien Brody, Sarah Polley, and Delphine Chanéac as it told the potential dangers of splicing animal genes. This particiular film, initially released in the United States in 2010, may be familiar to fans of the genre. As you can see below, viewers are using social media to express their thoughts on the film which has left them “physically ill” and “haunted forever.” But if gene-splicing can give us monsters as poetically strange as Dren, it bodes well for our horror movies - if not necessarily for our species.Netflix once again has viewers stunned with an overlooked horror film from 2010. I'm sad to say the climax of Splice feels too rushed. She totters on colt legs above bird feet, but with a ballerina's poise. Her head tilts, birdlike, as her wide almond eyes take in her new world. But then Dren could drive anyone mad: The Paris-born actress Delphine Chaneac plays the maturing monster with help from creature effects designer Howard Berger, and she has her own mythical beauty. Soon this high-tech Frankenstein acquires a vein of freaky, low-tech Gothic psychodrama.īrody and Polley are thoroughly convincing when their characters are smart, and only slightly less so when they turn crazy-dumb. And Clive, who wanted to destroy Dren, begins to soften. It turns out that Elsa, so militantly maternal, had an abusive mom - and as Dren grows over a couple of months and becomes more assertive, like a mischievous child and then a rebellious teenager, something dark and scary in Elsa takes hold. You know no good will come from this, right? But the way in which it all goes bad has a distinctly human dimension. "Scientists push boundaries," his wife says. "I'm starting to feel like a criminal," he says. When Dren makes too much of a racket, Elsa and Clive sneak her down - she's wearing a cute little dress - to their facility's dank basement. That's the first sign in Splice that the two will approach this "child" from different angles. And then we hear the words immortalized first in 1931 by Frankenstein's Colin Clive: "It's alive."Ĭlive is about to gas the lab and kill the infant creature, but to stop him, Elsa whips off her oxygen helmet. The fetus - a kitchen sink's worth of species - comes quickly to term. After a lot of tinkering, the implant takes.
That's when Clive and Elsa think: Why not mix in some human DNA and see what grows? Just to, you know, prove they can. When we meet them, they're delivering a new life form, literally, from some kind of pulsing ovum in an incubator - a giant, wormy, wriggling mass of tissue from which they're going to mine all kinds of patent-worthy medical processes.īut then company bigwigs put the kibosh on future research: Use what's there and generate capital, they command. In Splice, Canada's own Sarah Polley and long-faced Adrien Brody play Clive and Elsa, celebrated nerdy scientists splicing genes for a pharmaceutical company - called, in fact, NERD, for Nucleic Exchange Research and Development.
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